From dawn till dusk, from Monday to Sunday, the four seasons of the year; in between the allegory titled “Time Asleep” can be considered as a synthesis of what this series represents: the passing of time in accordance to our most everyday parameters, trapped in the unaltered beauty of the woman in her splendour.
Foreground portraits reflect the lights of a full day, female figures sitting on carpets, wrapped in clothes and symbols that act as metaphors of the days of the week, or lying on exclusive divans in order to evoke the essence of summer, autumn, spring or winter.
“Time, a destroyer by nature, does not affect beauty in the slightest. Here time does not mean before or after, it does not corrode, it does not mutate, here time, or times, is nothing more than different moments of beauty, a vibration of light, a movement, a gesture, an anticipated breeze. [...] If beauty is able to escape from death and aging it is because what is measured is not time, but beauty itself. That means that harmony is taken to the point that it immediately caresses the eye and the spirits of the beholder, not just the figures, the forms themselves, which would turn into metaphors of other things. And thus, what has been painted transcends the own painting”.
Comments on “Measured Time”, December 2016. José Luis Sánchez Lora (Modern History, University of Huelva).